REREADING ISLAMIC IDENTITY IN CONTEMPORARY AFGHAN PAINTING (CASE STUDY: PAINTINGS OF THE LAST TWO

The focus of this research is on the representation of Islamic identity in modern Afghan painting over the last two decades. Discusses the use of colour in contemporary art. Because these visual traits have a part in the identity structure of painting, and contemporary painting has a different shape and identity than it did in the past due to new approaches; As a result, the goal of this study is to find answers to the following fundamental questions: what type of technique and approach does painting have today in terms of presenting the subject, and to what extent can Islamic identity be seen in it? The findings of this study reveal that, despite numerous changes, Islamic identity remains in painting due to the correlation of these components in current works, which is derived in part from artists' Islamic approaches to art and is focused on Islamic ideas. Contemporary. Finally, the research that there is a need for a deeper understanding of artistic values in painting supports the theory that understanding the basics of ancient painting and modern approaches, as well as the use of mediating keywords, will have a significant effect on strengthening the identity of contemporary painting. The study approach is descriptive-analytical, and it was carried out using a library method to collect data.

Please see the link :- https://www.ikprress.org/index.php/AJAHSS/article/view/6783